Josephine Pryde Brute Reena Spaulings Fine Art New York Ny

BOOKS / EDITIONS

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PAST EXHIBITIONS

SURVEY / WORKS

Josephine Pryde

untitled, 2001
silver gelatine print
39 10 39 cm
Ed. of 3

Josephine Pryde

untitled, 2001
silver gelatine print
39 x 39 cm
Ed. of 3

Josephine Pryde

Meteorites Pulverization for the Face: Beauty (2), 2007
c-print
72 x 55 cm
Ed. of 5

Josephine Pryde

Four $.25 of Rock (I), 2007
silver gelatine print
69 x 55 cm
2/four
Ed. of 5

BIOGRAPHY / GUIDE

2008 Gabriele Senn Galerie, Vienna How They Met

PDF

1967 built-in in Alnwick, England / lives and works in Berlin
1986-1989	Central St. Martins, London
1985-1986	Wimbledon School of Fine art, London
2003	Guest Professor, Academy of Fine Arts, Vienna
2006 - 2007	Dorothea Erxleben Stipendium Stipendium, Hochschule für Bildende Künste, Braunschweig
2006 - 2008	Guest Professor, Academy of Fine Arts, Vienna
since 2008	Professor for Contemporary Photography, University of the Arts, Berlin
EINZELAUSSTELLUNGEN / SOLO EXHIBITIONS (AUSWAHL / Choice)
2022	Art Institute Chicago, Chicago, IL, United states of america
2020	Sky, Rocks & Digits, with Angela Bulloch, Simon Lee Gallery, Hong Kong Exterior, Night, Day, Galerie Neu, Berlin
2019	Is it coping, how adapting, A Certain Lack of Incoherence, Porto, Portugal
2018	In Case My Mind Is Changing, Simon Lee Gallery, London
2017	Traces of Accessibility (with Marilyn Thompson), Goton, Paris
2015	Lapses in Thinking By the person i am, CCA Wattis, San Francisco, CA, U.s. Institute of Gimmicky Arts, University of Pennsylvania, PA, USA
2014	These Are Merely Things I Say, They Are Not My Opinions, Arnolfini, Bristol, England Knickers, Berlin, Galerie Temnikova & Kasela, Tallin, Estonia
2013	Frau Prüde zu Dr. Loch und Frau Sxxxx zu Dr. Ernst, Galerie der Stadt Schwaz, Schwaz, Republic of austria
2012	Dark Out, Simon Lee Gallery, London Miss Austen Still Enjoys Photography, Kunsthalle Bern, Bern, Switzerland Miss Austen Enjoys Photography, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
2011	Embryos and Manor Agents: L´Art de Vivre, Chisenhale Gallery, London
2010	Therapie Thank you Thank Y'all, MD72, Berlin Therapie Cheers, Reena Spaulings Fine Art, New York
2009	La Vie D´Artiste, Richard Telles Art, Los Angeles, CA, USA
2008	How They Met - Role i: Female parent and Her House (with Sarah Staton), Galerie Bleich-Rossi, Vienna How They Met -Part 2: Sex (with Sarah Staton), Gabriele Senn Galerie, Vienna
2007	Hollow Inside, Galerie Neu, Berlin
2006	Maids & Magnetism, Reena Spaulings Fine Fine art, New York
2004	Valerie, Secession, Vienna Creature, Reena Spaulings Fine Fine art, New York Things Without Futurism, Galerie Christian Nagel, Cologne, Germany Brains & Chains, Cubitt, London Xavier Hufkens Galerie, Brussels
2002	Der Vogel des Jahres ist der gemeine Spatz oder Haussperling, Galerie Meerrettich, Berlin Metalltanz, mit Michael Krebber, Steirischer Herbst, Galerie Bleich-Rossi, Graz, Republic of austria Costume, Galerie Neff, Frankfurt, Deutschland Felicity / The Pre-Empted, mit Katharina Wulff, Galerie Neu at Chiffonier, London
2001	The Hands, The New Art Eye, Salisbury, England 6 a.m Summer 201, Galerie Neu, Berlin Serena, Kunstverein Braunschweig, Germany Galerie Gabi Senn, Vienna
2000	Laurels, without coin, is just a illness; Succesion, London Marooned, Galerie Christian Nagel, Cologne, Germany
1997	Vicinage, Galerie Christian Nagel, Cologne
1996	Galerie Neu, Berlin
1995	Persuasion, Galerie Neu, Berlin
GRUPPENAUSSTELLUNGEN / Grouping EXHIBITIONS (AUSWAHL / Option)
2020	Studio Berlin, Berghain, Berlin, Germany Relax – It's all online, Lars Friedrich, Berlin, Germany The Sewers of Mars, Reena Spaulings Fine Art, New York, US Präsentation and the editions, viennacontemporary 2020, Vienna
2019	Objects recognized in flashes, mumok, Vienna Die Bucklige Verwandtschaft, Galerie Nagel Draxler, Cologne, Frg Maskulinitäten, eine Kooperation von Bonner Kunstverein, Kölnischem Kunstverein und Kunstverein für dice Rheinlande und Westfalen, Düsseldorf, Germany Encore, Miguel Abreu Gallery, New York, United states of america Objects Recognized in Flashes, mumok – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna New Order. Art and Technology in the Xx-Offset Century, The Museum of Mod Art (MoMA), New York, The states Passer-by, Fondation d'entreprise Galeries Lafayette, Paris
2018	Swingers, Greene Naftali, New York, US The Vitalist Economic system of Painting, curated by Isabelle Graw, Galerie Neu, Berlin Personal Information Hack, Industrial Order and Its Futures, Berlin Optik Schröder II, mumok – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna Faithless Pictures, Nasjonalmuseet, Oslo
2017	Subjektiv, Malmö Konsthall, Malmö, Sweden
2016	Turner Prize 2016, Tate United kingdom of great britain and northern ireland, London 30 Years Kunsthalle Bern Foundation: A option of the drove, Kunsthalle Bern, Switzerland THE GEO POLITICS OF MONETIZED AIRSPACE – Come Fly with Me, I Meet you by the Airside Gucci Concession at 4, Fox Fur Hat, Midway Contemporary Fine art, Minneapolis, Usa Response, Musée d'fine art contemporain des Laurentides, SaintJerome, Quebec, Canada The Highs of Everyday Life, Reena Spaulings Fine Fine art, New York, US Das Loch, Künstlerhaus Bremen, Bremen, Federal republic of germany La Drove Thea Westreich Wagner et Ethan Wagner, Whitney Museum of American Art, New York, US and Middle Pompidou, Paris How We Live and How We Might Live, curated past Matthew Richardson & Anna Susanna Woof, London Unangenehme Gefühle I, ACUD Macht Neu, Berlin ich, du, er/sie/es, Kunstverein Leipzig, Leipzig, Deutschland wir, ihr, sie, Kunstverein Leipzig, Lepizig, Germany The 9th Berlin Biennale for Gimmicky Fine art, The Feuerle Collection, Berlin
2015	Observe YOUR BEACH, KURATOR – Gebert Stiftung für Kultur, Rapperswil, Switzerland Windows Hung With Shutters, RaebervonStenglin, Zurich Simulated Amis, Simon Lee Gallery, London International Photography Exhibition Gjon Mili 2015, National Gallery of Kosovo, Kosovo Animal Photographers, Acud Macht Neu, Berlin Triennial of Photography Hamburg: The Twenty-four hour period Volition Come up – When Photography Revises, Kunstverein in Hamburg, Hamburg, Germany Container and Contained, Künstlerhaus Stuttgart, Stuttgart, Germany State's End, Bodega, New York
2014	Dice Marmory Show, Deborah Schmoni Galerie, Munich, Germany Ordinary freaks. Das Prinzip Coolness in Popkultur, Theater und Museum, Halle für Kunst und Medien, Graz, Germany One Shots and Imagines, Downtown Photoroom, Los Angeles, US curated by_vienna 2014, The Century of the Bed, Galerie Emanuel Layr, Vienna Theatre and Museum, Kunstlerhaus, Graz, Austria Galerie Neu a La Douane, Galerie Chantal Crousel, Paris @ the shrink, Shanaynay, Paris je suis féministe, Unit of measurement 21, Penarth Centre, London
2013	Xerogrpahy, Firstsite, Colchester, England The Door Between Either And Or Part 1, Kunstverein München, Munich, Germany New Photography 2013: Adam Broomberg and Oliver Chanarin, Brendan Fowler, Annette Kelm, Lisa Oppenheim, Anna Ostoya, Josephine Pryde, Eileen Quinlan, MoMA, Museum of Modern Art, New York Better Homes, Sculpture Center, New York Photography now and forever, Mathew, Berlin Kappen, Hard Chapeau, Geneva, Switzerland XoXo, Nicht Gallery, Los Angeles, United states Counter-Production (Function 2), The Swedish Contemporary Art Foundation, Stockholm Textiles: Open up Letter, Städtisches Museum Abteiberg, Mönchengladbach, Germany Photographs You Take, The Schtip, Sheffield, England Festival der Kleinskulptur, Halle für Kunst, Lüneburg, Germany
2012	Counter-Production, Generali Foundation, Vienna KEINE ZEIT. Erschöpftes Selbst / Entgrenztes Können, 21er Haus, Vienna Now I am Quietly Waiting For The Catastrophe Of My Personality To Seem Cute Again, And Interesting, And Mod, Bortolami Gallery, New York
2011	MAKING AND Fine art, curated by Cosima Rainer with Anna Artaker and Christopher Meier, Stadtgalerie Schwaz, Tirol, Republic of austria Andreas Lærum´s Private Collection of Fine art. Bunker Almely, Asker, Norway FIlms & Filming, organised by David Lieske, Bischoff Projects, Frankfurt am Master, Germanyc the Avantgarde: Madame Realism, Marres Centre for Gimmicky Civilization, Maastricht, Netherlands
2010	curated by_vienna 2010: Albert Oehlen, Galerie Mezzanin, Vienna Erstwhile Ideas, kuratiert von Silberkuppe, Kunstmuseum Basel/Museum für Gegenwartskunst, Basel, Switzerland Filmschönheit. Curated by Albert Oehlen, Galerie Gisela Capitain, Cologne, Germany
2009	PALINDROM. Oben und unten mit Male monarch Whistler & Friends", Hermes und der Pfau und West.O. Scheibe Museum, Stuttgart, Germany Relax, MD72, Berlin Olga Chernysheva & R.H. Quaytman & Josephine Pryde, Contemporary Fine art Museum, St. Louis, USA Instant Melancholia, Raum 121, Frankfurt, Federal republic of germany The Front Room, Contemporary Art Museum, St. Louis, USA
2008	Buy No Wino Buy Lino By Bono, Hats Plus, London Archeology of Heed - Morra Grcos Fondation, Fondazione Morra Greco, Neapel, Italy Malmö Konstmuseum, Malmö, Sweden Kuntsi, Modernin taiteen museo, Vaasa, Finland Medien, CUC Charim Ungar Contemporary, Berlin Madonna und wir, kuratiert von Caroline Nathusius, Galerie Christian Nagel, Berlin L'Silver, Frac Ile-de-French republic, Paris Zodiac 3000, International Project Infinite, Birmingham, UK Photography on Photography: Reflections on the Medium since 1960, Metropolitan Museum, New York
2007	Angelegenheiten, die sich daraus ergeben, Künstlerhaus Bremen, Germany Imagine Action, Lisson Gallery, London A Year-In-Review-Lamp-Installation (by Galerie Meerrettich), Vilma Gilded, London The Enforced Dress, Nordösterreichisches Kunstraum, Vienna Ref. Nadar Ahrimin, Matthew Ahnriman, Jonas Mekas, Jonathan Monk, Josephine Pryde, David Wojnarowicz, unosunove, Rome, Italy Various Minor Fires, Royal College of Fine art Galleries, London Make Your Ain Life: Artists In & Out of Cologne, Henry Fine art Galllery / University of Washington, Seattle, USA Museum of Gimmicky Art, North Miami, Florida, USA Dorothea 2005-2006, Hochschule für Bildende Künste Braunschweig, Germany
2006	Physical sausage and other team ghosts, after the butcher, Berlin Institute of Contemporary Fine art/Academy Pennsylvania; The Ability Institute, Toronto, USA Optik Schröder. Werke aus der Sammlung Schröder, Kunstverein Braunschweig, Braunschweig, Germany Beware of a Holy Whore, Galerie Chatal Crousel, Paris The Dimes of March, Reena Spaulings Fine Art, New York
2005	The Top Room : A Retrospective, CHELSEA space, London Artists' Books, revisited, curator Matthias Herrmann, Art Metropole, Toronto And Printed Thing, New York Temporary Import, curator Susanne Titz, Art Forum Berlin, Berlin Été Urbain, Galerie Gabriele Senn, Vienna Criticism Commemoration, Galerie Karin Guenther/Nina Borgmann, curator David Bussel, Hamburg, Federal republic of germany
2004	Sommerfotogruppenausstellung - Telepathy Curating, Galerie Merrettich, Berlin Galerie Rauhfaser, Hamburg, Germany
2003	Messe in der Galerie, Galerie Christian Nagel, Cologne, Federal republic of germany favorites +, Fortlaan 17, Gent, Belgium Was Sie immer über Sexual practice wissen wollten, Galeria Academia, Salzburg, Republic of austria Zimmer aufräumen, Zupfgeigenhansel kommt!, Aula der Hochschule für Bildende Künste Hamburg, Hamburg
2002	Museutopia, Karl-Ernst Osthaus Museum, Hagen, Germany
2001	What´southward Wrong, The Trade Apartment, London Works on Aluminium Selected by Paper, White Cube, Bergen, Norway Charisma, Stand, Glasgow Kunstmesse, Scottland Jewels-in-Art, Galerie Bleich-Rossi, Graz, Austria
2000	Walk 2000, Succession, London Coal Past Any Other Name: The Journey Towards The Good Taste, American Fine Arts Co. Ltd, New York Telescopic Memories, Orbit House, London Cheated, A22 Projects, 22 Laystall Street, London 21st Gear, The Top Room, London Hey, International Competition Style!, TENT, Rotterdam, Netherlands
1999	infinite, Witte de With, Rotterdam, Netherlands
1998	Summary, Galerie Hoffmann und Senn, Vienna A to Z, the approach, London Fast Forward Image, Kunstverein Hamburg, Hamburg, Deutschland
1997	Glockengeschrei nach Deutz, Daniel Buchholz, Cologne, Deutschland La Saison Two, Neu, Berlin
1995	Photoworks, The Economist Edifice, London
1994	Total Football game, Onetime Knows Gallery, Nottingham, Uk
1992	Trial Balloon, New York Radio Evidence, Unrealized Projects, Four Walls in Artists Space, New York
1991	Countdown Show, Trial Balloon, with Nicola Tyson, Sarah Staton, Siobhan Liddell, New York The Archaeology of Silence, 147 Hornsey Route N7, London
1989	Performance as role of Audio Arts Placement and Recognition, MOMA, Oxford, UK
TEXTS Past JOSEPHINE PRYDE
2005	It's Beyond My Control, Merlin Carpenter at Kunsthall Bergen, in: Texte zur Kunst Nr. 58, Due south. 175-180
2003	Dream On. Die Politik des Tagtraums, in: Texte zur Kunst, Nr. 52, Dez. 2003, Due south. 86-92
2001	In My Confinement, (Steven Meisel, Four Days in L.A. The Versace Pictures), in: Texte zur Kunst, Nr. 44, Dezember 2001, S. 189-194 Blue Period, (Sarah Staton, Anti-paintings), Art Lab, London, 2001 Punch, Sumer Issue, Herausgeberin: New School Online University, The New School University, New York, world wide web.dialnsa.edu/magaz.ix htm Inside this Horizon, in: Fabricated in USA, Nr. 3, 2001, S. 76
2000	ten x 10 Ausstellungen, Texte zur Kunst, Nr. 40 In circulation, (Sarah Morris), in: Twisted Urban and Visonary Landscapes in Gimmicky Painting, Van Abbe Museum, Eindhoven 2000, Due south. 45-47 Erste Schritte, (Michael Clark Company, electric current/Come across), in: Texte zur Kunst, Nr. 39, September 2000, S. 64-70 Merlin Carpenter at Secession, Vienna, in: Modern Painters, Vol. 13, No.2, Sommer 2000, Due south. 52 What Do You Want To Do With Your Spade?, in: Cosima von Bonin, The Cousins, Kunstverein Braunschweig 2000, Southward. 25-27 Fabienne Audéoud De-learning the piano, in: Work and Leisure International, Trice publication (Ed.), Manchester 1999 (catalogue)
1999	Sarah Staton, blue jeans, London, Texte zur Kunst No.36 Jane & Louise Wilson in der Serpentine Gallery, London, Texte zur Kunst Nr. 36 Besprechung von Sarah Morris in Oxford MOMA, Texte zur Kunst Nr. 35 Grenzmarken, (Fareed Armay, From/To), Texte zur Kunst Nr. 34, Juni/Juli 1999, South. 197-201 Key Debates, Everything 3.2 Shortcuts Baustop.Randstadt, in der NGBK Berlin, Texte zur Kunst Nr. 32 Corporate Chic, in: Texte zur Kunst, Nr. 35, September 1999, S. 306-311
1998	Katharina Wulff, Kunstverein Bremerhaven 1998 (catalogue)
1997	Discovering an Innate Sense, in: Texte zur Kunst Nr. 25, März 1997, S. 63-71
1995	Standbesprechung: Michael Krebber bei Christian Nagel, in: Texte zur Kunst Nr. 19, Baronial 1995, S. 131-133
1993	Writing out of my armpit, in: Texte zur Kunst Nr. 11, September 1993, S. 188-192
1990	Tracking Zones, Text- und Photobuch, moo.shwär´roo ltd (Hrsg), 1990
BOOKS
2016	Photography at MoMA 1960 – Now, Moma, New York, US
2015	Contemporary Fine art Germany, Austria and Switzerland, Black Dog Publishing, London, UK
2005	M. Krebber, D. Baumann, Artists' Books Revisited, Fine art Metropole, Toronto, CA
1999	B. Marl, From #ane, Witte de With, Rotterdam, NL
1990	j. Pryde, Tracking Zones, moo.shwär' roo ltd
CATALOGUES
2016	Turner Prize 2016, Linsey Young and Laura Smith, Tate United kingdom, London, United kingdom of great britain and northern ireland (2016) Thea Westreich Wagner et Ethan Wagner II The Collection, Middle Pompidou, Paris, FR (2016)
2015	The Enjoyment of Photography, Kunsthalle Bern, CH (2015)
2008	Zodiac 3000, Dr. Robert Laing and Karen Novotny, International Project Infinite, Birmingham, UK (2008)
2007	Various Small Fires, Royal College of Art, London, U.k. (2007) The Enforced Dress, Kunstraum Niederoesterreich, Vienna, AT (2007)
2006	Make Your Own Life, ICA Philadelphia, PA, US (2006)
2005	Artists' Books Revisited, publisher Art Metropole (2005) The Elevation Room, publisher Jeremy Glogan, Chelsea Infinite, London, UK (2005)
2004	Valerie, Secession, Vienna, AT (2004)
2001	Serena, Kunstverein Braunschweig, DE (2001) Jewels-in-Art, publisher Galerie Bleich-Rossi, Graz, AT (2001)
1997	Glockengeschrei nach Deutz, publisher Cosima von Bonin, Daniel Buchholz, Christopher Mueller (1997)
1991	The Archæology of Silence, publisher Monika Oechsler (1991)

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Source: https://galeriesenn.at/artist/jospehine-pryde/

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